Jodha Akbar - random thoughts
Saturday, March 29th, 2008Disclaimer:
I am not really a movie buff. Consequently my movie sensibilities maybe out-dated.
Star Performers of the film and why:
A R Rahman:
I could not imagine this film without Rahman. It is a well accepted fact that Rahman takes his music quality a few notches higher for Hindi films and this film underscores that point yet again. Be it the opening of ‘Azeem-e..’ , or the chorus of ‘Inn Lamhon’ Rahman’s magnificent signature is all too evident. All this coming from a hard core Ilayaraja fan, mind you
Cinematographer Kiran Deohans:
There are huge challenges in doing a film like this. The cinematographer has to serve what is expected - wide angle shots for battle scenes and for the grandeur of the palace, lengthy shots to give a period feel, the good looking hero and heroine should look even better, like the way the heroine stands out in a gorgeous orange even in the climax fight, and yet strive for authenticity and subtlety. He also had to tackle a contemporary tone (maybe director’s insistence) rather than escape with a sephia tone for period feel. This guy knows his stuff. Hats off to Kiran!
Art Director Nitin Desai:
The sets work beautifully in all the scenes. I fell in love with Rajputs’ and Akbar’s palaces. It is expected that some research goes into this but he still should use his imagination to make those authentic looking things aesthetically pleasing too all the while accommodating the lights for the cinematographer! He, along with Kiran manage to give the spectacle that we tend to associate with well-made period films.
Hrithik:
Hirtihik has done well considering there are lots of constraints associated with the role of an emperor. You are expected to be stiff in all the frames (gambheeram), you cannot be seen as laughing your heart out, nor can you cry your heart out. Since you have Aishwarya opposite you, some amount of your screen time will go just looking at her. And yet Hrithik holds his own. The romance works very well and one of the main plus points of the film.
Director Ashutosh Gowarikar:
The director has managed to get the best out of his crew and cast for the most part. One scene I really liked was the sword fight between the two Akbar and Jodha. Well done Ashutosh!
And now the pain points,
Aishwarya Rai Bachan. The problem with casting Ash is that she is perceived by one and all as out of the world’s most beautiful women. As a result, she always manages to be Aishwarya and not Jodhaa. I am not sure if it’s just me. I could never relate to her acting. Read my disclaimer at the top!
I was a bit let down with the song picturisation of ‘Azeem-e-Shahenshah’. I wish the director had shot this song in the night. Indoor setting and day light factor made it lose all the intensity Rahman had infused in his beats. ‘Khwaja mere Khwaja’ picturisation was so reminescent of the good ol’ Doordarshan TV days.
I am not convinced with Ashutosh the script writer in this effort. The film fails to stick at a conceptual level. What is this movie about? Akbar’s secularism? His romance? It looked like he has mish-mashed a bit of everything, just to be on the safer side. A lot of screen time was wasted on characters like his god mother.
There are a few things which I cannot digest from a decent director and clichéd scenes are certainly one of those. Okay, so you have a dozen arrows in your back, can you come the distance equivalent of Pallavaram to Guindy on a horse-back as if you are on a fun ride? And this guy manages all the dialogues the director wanted him to later on. Add some senti-crying by Ash and I really wanted to go to the rest room there.
Also, what’s with this ‘othaiku othai’ climax? The climax fight had me scratching my head. For a second, I was scared that the villain will ask for forgiveness and our hero will give a 3 minute message on the importance of good morals after which they will all sing their kudumba paatu. Thankfully, the director spared me from such ordeal. To me, the movie was over when Jodha and Akbar truly unite at the end of ‘Inn Lamhon’ - brilliant picturisation! What follows are just extra footage which Ashutosh forgot to edit.
The fact that I noticed all these technicalities in my first viewing should convey that I was not immersed in the plot, which is a failure on the part of the script writer Ashutosh. I should’ve watched ‘Nayagan’ like 30 times and still lose myself half-way even now! That’s what I expect when I go to watch a movie. ‘Jodha..’ is watchable but it could’ve easily been a great movie. It falls short by a distance.
PS:This post was updated on 30-Mar-08, 8:22 AM. Lesson: I should not write lengthy posts in the night!
